Rush explores queer iconography, erotic counterculture, and consumer ephemera through layered collage. Referencing the iconic poppers packaging, this work is built on a black backdrop formed from torn vintage magazine clippings—ranging from National Geographic to Playboy—highlighting themes of desire, danger, and nostalgia. The tray functions as both a sculptural wall piece and a utilitarian object, echoing the duality of beauty and vice often found in queer nightlife and advertising aesthetics.